La Japonaise (Camille Monet in Japanese Costume) — The story behind it

How it came about

Camille wears a red kimono embroidered with a samurai and holds a fan; the wall behind her is a fan shop's worth of ukiyo-e prints. Monet made the picture to ride the japonisme fashion of the 1870s, and it worked — it was a hit at the second Impressionist exhibition.

Where it fits in the series

Figures & Portraits occupied Monet across several years, and La Japonaise (Camille Monet in Japanese Costume) belongs to the middle of that work rather than its beginning or its end. The early pictures in the group establish the motif; the late ones push it toward abstraction until the subject is barely holding the surface together.

Seen in sequence, La Japonaise (Camille Monet in Japanese Costume) is a picture in which the subject is still legible and the handling is already free. That combination is why this period of Monet's work is the most widely reproduced — it satisfies both the viewer who wants a recognisable scene and the viewer who wants paint.

The market story, briefly

Monet's market has been one of the most consistent in modern art. Works from the Figures & Portraits group rarely come to auction, and when they do the prices are recorded in tens of millions — a level that has more to do with scarcity and provenance than with any change in how the pictures are regarded.

That is worth knowing for one reason: the price of a reproduction has nothing to do with the price of the original. A print is priced for what it is — ink, canvas, labour and shipping.

Provenance of the original

Kept by the Monet family, then in the Hoschedé collection; acquired by the Museum of Fine Arts, Boston in 1956.

Reading the date

1876 is the year usually given for La Japonaise (Camille Monet in Japanese Costume), but Monet's working method makes single dates misleading. He kept canvases in the studio for months or years, reworking them when the season came round again, and he dated pictures by when they were begun as often as by when they were finished.

This matters when you compare the Figures & Portraits pictures against each other. Two works dated to the same year can belong to visibly different stages of the series, because one was resolved in the field and the other was rebuilt in the studio afterwards.

The original of La Japonaise (Camille Monet in Japanese Costume) is in the collection of Museum of Fine Arts, Boston. We are not affiliated with the museum, and no museum endorsement is implied.