Haystacks (Meules) — The story behind it

How it came about

Monet worked on up to fifteen canvases at once in the fields behind his house, following the same stack from dawn to dusk across weeks. The subject is not the haystack. It is the fact that the light on it never stops changing.

Where it fits in the series

Haystacks occupied Monet across several years, and Haystacks (Meules) belongs to the middle of that work rather than its beginning or its end. The early pictures in the group establish the motif; the late ones push it toward abstraction until the subject is barely holding the surface together.

Seen in sequence, Haystacks (Meules) is a picture in which the subject is still legible and the handling is already free. That combination is why this period of Monet's work is the most widely reproduced — it satisfies both the viewer who wants a recognisable scene and the viewer who wants paint.

The market story, briefly

Monet's market has been one of the most consistent in modern art. Works from the Haystacks group rarely come to auction, and when they do the prices are recorded in tens of millions — a level that has more to do with scarcity and provenance than with any change in how the pictures are regarded.

That is worth knowing for one reason: the price of a reproduction has nothing to do with the price of the original. A print is priced for what it is — ink, canvas, labour and shipping.

Provenance of the original

Remained with the artist, then with his son Michel; entered the Art Institute of Chicago in 1985.

Reading the date

1891 is the year usually given for Haystacks (Meules), but Monet's working method makes single dates misleading. He kept canvases in the studio for months or years, reworking them when the season came round again, and he dated pictures by when they were begun as often as by when they were finished.

This matters when you compare the Haystacks pictures against each other. Two works dated to the same year can belong to visibly different stages of the series, because one was resolved in the field and the other was rebuilt in the studio afterwards.

The original of Haystacks (Meules) is in the collection of Art Institute of Chicago. We are not affiliated with the museum, and no museum endorsement is implied.